La chasse

Georg von Hoyningen-Huene

coffee & TV

Corine Day

Qu’est ce qu’un regard?

update

Hey friends! It’s been a while I know.. I keep this blog running, but I made another one about illustration & design at http://llacollection.tumblr.com/

Hope you’ll enjoy as much as I do!

j

jackie o

Ron Galella, Jackie Kennedy

She was just the way I remembered her

In 1955, Peter Mangone was 14 years old–a skinny boy from the Bronx with a Marilyn Monroe fixation, like so many teenagers of his generation. What distinguished Mangone was that he got to meet his idol. For several months, he had played truant from school to stake out the Gladstone Hotel on Manhattan’s East 52nd Street, where the 29-year-old Monroe was staying after her unhappy divorce from Joe DiMaggio and her dismissal from the Twentieth-Century Fox studios. One morning, Mangone borrowed an eight-millimeter Kodak camera from his brother, headed down to the Gladstone and met Monroe as she was on her way out shopping with her friend Milton Greene. Mangone’s dream came true: she waved, winked and invited him along. Over the course of the afternoon, he filmed her intermittently, without sound, later developing the film and viewing it at home. When Mangone left home, the footage went missing, and was thought to be lost–until 2002, when his brother found it among their father’s possessions, virtually in mint condition. “It was like refinding my high school sweetheart,” he said. “She was just the way I remembered her.” This book of stills from Mangone’s five-minute movie shows the great screen siren in wonderful moments of unguardedness, against the Chevys and Checker cabs of 1950s midtown Manhattan. The great charm of Mangone’s images lies at the opposite end of familiar portraits by Cecil Beaton, Elliott Erwitt and co.: in his 14-year-old hands, through the grainy Kodak film, with its erratic lighting, Marilyn remains every inch the icon.
Featured image is reproduced from Marilyn Monroe: NYC, 1955. Texte : James Danziger

work with paper

Lotte Gerson, Paper spiral; Work with paper, c. 1927

DORA

August Sander, Dora, the wife of the Architect Hans Heinz Lüttgen, 1928

créer une forme

Viviane Sassen

fenêtre

Thomas Lohr, L’Express Styles, 2013

PRINCESSES

tiger tiger

Juergen Teller, Phoebe Philo

1991

Waris Dirie for L’Oreal, 1991

birds

Ryan Mc Ginley

albinos peacock

Ryan Mc Ginley

anti forme

Collier Schorr, Arrangement #20 (Shadow), 2008

pastèque

Wolfgang Tillmans, 1997

quilted

1972

Horst P. Horst, Mary McFadden in her New York City dining room, 1972

chiné

David Sims, Harper’s Bazaar, septembre 1997

Rouge, blanc, rose

Bandeau

Peter Lindbergh, Milla Jovovich, 1996

zoe zoe zoe

Zoé Ghertner pour CELINE ss13

Belle de jour

nothing but flowers

natte

Peter Lindbergh, Tatjana Patitz

miaou miaou

Miu Miu SS13 – Inez & Vinoodh

épiderme

Mario Testino & Carine Roitfeld, extrait de la série Blanc Absolu, Vogue Paris, 1998

angles

Mario Testino & Carine Roitfeld, extrait de la série Blanc Absolu, Vogue Paris, 1998

CUT

Roe Ethridge

Smells like teen spirit

Laura Henno, Land’s end, On Hold, 2010

la zone

Laura Henno, Calais, 2012.

L’artiste est représentée par la galerie Les Filles du Calvaire

ACIDE

La bonne renommée endormie, 1938

Mechón

riorim

Weltanschauung

http://www.we-find-wildness.com/2012/04/collier-schorr-2/

you ready bee?

carte du ciel

Four-eyed beauty

1993

oursins

vert, rouge, rose

gris-bleu clair

peaux

1995 bis

1995

fire

1998

the butcher

DV

sortie de crise

plus vite

vendredi saint

1920

sculpture

1997

straps

modèle

november girl

redessiner

champagne

la peau

atelier afrique

2004

MILES

KEL

proportions

plumes